T minus 63: Album done, delivered for mastering
by GMM on November 28th 2007, at 01:56 CET

Continued from previous post.

Around 8 in the morning, after a wonderful 24 hour mixing and rendering session, all of the tracks was finished, trimmed, rendered and triple checked for problems. It was done. I went for a walk to get a cup of coffee and some hot food to keep me going. Walking around the busy morning streets was a strange and surreal experience indeed. I was disconnected and hazy (more than usual), very exhausted and very happy and very finished, and around me everyone else was hurrying in the snow to start their work week. While my 3 years of work were just done. If there ever was a Monday morning worth living this was it.

So I got back to the studio, fixed any remaining comments from my tireless acolytes, we discussed some more details around sequencing and stuff, and around 10 I started the upload to the mastering studio, as scheduled. I started writing out mastering guides and information to the master engineer. This took a few hours, around 15 I was finally finished.

The upload was done, mastering instructions typed out, I had taken backup of everything, twice, to separate disks. I walked around the studio and gave every piece of gear a friendly touch and thanks. For long periods my gear is my only friends, the only ones I talk to, they keep working and doing their thing faithfully, and I am grateful for that.

With this album I have pushed everything to the extreme, including my body, own psyche, my social ife and all of my gear. I make huge demands, force equipment to perform operations they were never intended for and they have struggled, but always risen and met the challenge. They must not be forgotten.

I bought some beers to celebrate, went home, put the album on loud and collapsed in tears of exhaustive happiness. I slept for 18 hours, just getting up every few hours by alarm to see if everything was OK with the mastering guys.

It's weird. For me, the album is done now. The music is done, I can't do anything more, it is behind me. Done. I can't fix it any better. I so much would like everyone in the world to hear it right now. I can't. I must be clever and patient. For everyone else it is still in the future, and the job now is to make it known, get people to listen to it, build it up. If I am to survive I have to make this something to live off. There are mechanisms I must master to make the most of it.

I think the album will surprise people. I know it will, it is designed to surprise and please. It is VERY energetic and melodic, more than ever. I know people will love it, and I know people will hate it, I know it has to be like this.

I can't satisfy everybody, albeit this being every artists fundamental dream, to be loved and accepted by everyone. Nobody admits it, some  artists fights desperately or invisibly to pretend this isn't the case, me inclusive at times, but this is what everyone wants deep down. Unconditional respect and love. Layer as much you want on top of that, conceptualize it to hell, whatever, that is the core and the only reason for doing art. To reach and be respected. Knowing this fact and dealing with it is very important. Especially for me, now, with this album. It is not the most perfect art ever made, by all means, but it is a great album. The best I could do on the time I had. I think it is über fcuking brilliant.

Time will judge.

 

 


#1, by MJarnot on November 29th 2007, at 05:14
So glad to hear it's finished, even though hearing that it being different frightens me (yet at the same time, nothing you've made has disappointed). These next 2 months of waiting are going to be hell.

#2, by georgeblunt on November 29th 2007, at 08:29
i sooo can't wait!

about "people will love it / people will hate it": That's EXACTLY how it should be. I know, it's tempting to try to please everybody. But by doing this, your work will inevitably loose quality. It's a fact.
And I made another observation: it's even dangerous to make an album which people, who like this kind of music, will love instantly.
I know, this may sound stupid, but I contantly observe, that I tend to really really love those albums, to which I say "wtf!!1!" the first time I listen to them. The ones I say "rooock on!" to the first time trough, I don't like so much after the 100th time.
Well.. maybe it's just me.

#3, by PiNaCZ on November 29th 2007, at 09:26
@georgeblunt

No, it's not just you :) I have the same feelings when I listen to the new CDs - the tracks I like since the first listening usually wear off pretty fast. The more I listen to overlooked ones the more they grow on me. I have to invest some time but it pays off as I usually discover lots of hidden treasures on CDs that I thought they cant surprise me anymore.

#4, by sysrq868 on November 29th 2007, at 18:08
Same here. At first, I could handle about three seconds of Kosmonaut before I would press the skip button.

Today, I scarcely listen anything else.

#5, by GMM on November 30th 2007, at 04:02
+1 on the "needs a few listens" experience. i think most of my fav albums i didn't care for much at the start, or they made me bewildered. then they started growing

but there are some exceptions, sometimes you hear something and goes "WTF is THAT it was awesome must have" and you buy it and it actually never devaluates, contrary to other impulse purchases. thou I think this tends to be with film/instrumental music and not so much pop music i think

i have no idea how Unicorn fits into this. i think it is more accessible than Cinematronics and Nanokaravan, but it is also very different from all of my albums. and its hard to place your albums in context before they have been around for some time, and even then my perception is different from anyone else's