Journal Entry, January 12th, 2009
by GMM on January 12th 2009, at 00:47 CET

Friday morning I returned from Oslo, I didn't sleep much on the train, mostly because of stress I think. After a quick breakfast, Sjur came by for a session on one of the final tracks for Kometkameratene season 1.

After a few hours sleep I went for christmas dinner with Brak, which was a splendid social affair. Excellent food and exquisite conversation. I noticed with interest that we used Spotify for all music listening. Which meant
1) there was a lot of great music,
2) all music we listened to came from the clouds,
3) everyone mostly found their favorite music and latest must-share release,
4) we were not limited to a local physical or digital collection.

I think it is important to notice.

Saturday was slow, exhausted from many long days, but I put in some hours on a new track I started in Oslo. It started out with only Protracker ST-disks samples, I love the dirty old 8-bit sounds, to compress the grit into focus and run it through amp models. My recent sonic addition Alchemy is a great tool for zooming into the mud of samples.

I also spent a few hours checking out Amazon AWS, mostly EC2, for cloud rental of web services. Amazon recently launched a web based management console, making it easy to launch and administrate your cloud computers. Within a few minutes I had selected, installed and launched my own webserver instance and logged in by remote desktop client. This looks like a viable alternative to physical hosting, in particular when it comes to scaling. My only caveat is that I'd rather not personally handle server and webserver administration.

I have not yet decided how to host my next web system. But I have decided to develop a solution I can technically deploy onto AWS if necessary.

Sunday was back to work, spent all day working on the final batch of Kometkameratene. Sjur is coming in tomorrow morning for a vocal session. There are six tracks left to do in season 1, to be delivered this week. It will be a hectic week, but when they are delivered I am very much looking forward to focus on Ugress 4.

 

 


#1, by Atle on January 13th 2009, at 09:36
But why isn't Ugress avaiable on Spotify

"Did you mean undress?"

#2, by GMM on January 13th 2009, at 12:29
It will be.

I have signed my releases to Spotify, it just takes time from contract signup to service delivery, handled by Artspages.

#3, by Atle on January 13th 2009, at 14:12
Good!

Nice to see that you sign up for these kinds of things (anything other would have suprised me though).

Do you know how payments are handled and how they are calculated. Rather curious to how such a service can be economically sound and how much the artists benefit from it. Or is it a deal similar to radio play?

#4, by GMM on January 13th 2009, at 14:38
I guess the model, simplified, is most likely; the subscription income and advertisment income for a given period is summarized and split accordingly between all played tracks.

(Then add stuff like song length, seconds played, weighted against a gazillion things, etc)

Real world example; when "Redrum" is streamed on Napster, I make USD 0.01613541 pr play.

I expect Spotify to be somewhat similiar. It's not a lot but it adds up, and it keeps growing.

Anyway I'm not worried about the economical potential in services like these (yet) I am more interested in being part of them and being available. Not BEING available on Spotify yet is a bigger concern to me than how much I loose by that, because of situations like this one (you checking out if Ugress is there, and it is not, and that devaulates the service to you, and others)